Showing posts with label Happies. Show all posts
Showing posts with label Happies. Show all posts

Friday, June 25, 2021

2021 Tour de Fleece

Here we go again! 

https://sports.nbcsports.com/2021/06/23/2021-tour-de-france-live-stream-schedule-dates-route-how-to-watch-and-more/

In case anyone was wondering what my "spin" looks like, here's an archive photo of me and my bestie-cat doing yarn things together, circa 2013-ish: 

Maia with yarn for Monmouth caps. She prefers if I just stop moving and let her sleep on me.


I looked up past notes, the other day, and discovered that I've been following the TdF (whichever way you read that acronym ;) ) since 2014

Pre-Tour Inventory: Work  

At work, my stash is currently all Jacob wool, after a Woolery quiz paired me with this fiber in a "What Sheep Are You?" kind of sales gimmick. I was so happy with the result, I bought a top of each of the 4 natural colors they had (white, grey, black, stripey grey/black), and I'm working through them. That's a good "production" spin, but not inspiring for a limited time challenge like TdF, so I dug through my at-work stash and found samplers - so now I'm starting with Norwegian Top.


Sampler fibers! I'll post the citation if/when I dig it up.


Pre-Tour Inventory: Home 

At home, my spindles are full with white Jacob and cat (both of mine are long-hairs: dark grey tuxedo, beige-Himalayan). I started clearing my spindles at an Adlersruhe demo, and got into plying with two of the sheep spindles, leaving half of a third. 

Over lunch, I dug in my hope chest for roving to work with. (They're all in there, after the Great Rearrange, a few years ago, in which all yarns moved to one side of the living room, and rovings to the other. <3) 

-- I initially thought about the Merino I blended from primary colors into a nice Mooneschadowe maroon. I've been waiting on that until I knew what that wanted to be, but it wouldn't hurt to spin it and maybe leave it as singles - I might-could even BLOCK it as singles! I haven't done that step before. 

But in the process of digging, I found the full Eider Top - I think that'll be where I start for home spinning. I bought this one at the same time as the Jacob, in 2019, to be another New Experience (separate from the sample above, which duplication was not intentional [and sources are different, so there'll still be some differences in the fiber itself]). 

1) Samplers


Fiber in its sampler baggie.
All fiber from the sampler baggie on a spindle.

Norwegian Top was hair-like for a bit, and then we got to be good enough friends. I don't know that I love this enough to make it my primary - but also, I still don't really have a primary. For all that I committed HARD to the Jacob, for a bit, I don't know that I'm going to setup recurring shipments, or anything. 

First eighth on a spindle, with the second started.

Welsh Mountain Top is spinning like an obsession - I have a hard time putting this down. 


2) Home Stash 

Eider Top is spinning like a dream - it just runs, and I go immediately into a Zen state. 

3) New Orders

So there I was, minding my own business on the Tour de Fleece FB group, and someone posted a spindle full of rainbow, and I had an "inappropriate lust" moment - the colors were sublime and the layout of the copp was artful. I searched for rainbow rovings first, and picked up two in breeds I don't think I've spun to date. And then I read the post, and the supplier had a FB group for his work. So, I'm in for two there, too! Updates as I have things in hand, which should start later tonight. 

Leicester Longwool Locks


Cotswald Locks




4) Finished Hanks

I hanked off my white Jacob - what I'd started plying at Adersruhe. I have it labeled for this year's TdF - I might add my chart here, as I get it more populated. 



Wednesday, December 11, 2019

Winter Solstice

These are all my notes on Winter Solstices, for perpetuity - until such a time as I have a standalone celebration that seems worthy of a longer write-up. So far, I'm Quite Comfortable keeping my own council on such things.

Observation of the Winter Solstice is a phenomenon dating back to Neolithic times. This is the longest night of the year, after which, the days start to slowly take back hours.

Celebrations often include gatherings with food and story telling. Medieval practice included relighting the hearth fires at sunrise.

Finnecanalia is observed around this time as well. (I've misplaced those notes.)

Links to other people's ideas for this occasion:
* Celebrating Winter Solstice by Selena Fox
LINK: https://www.circlesanctuary.org/index.php/celebrating-the-seasons/celebrating-winter-solstice

Winter Solstice, 2019

Going around and coming around. 

Last year's celebration was lovely and intense and social. I'm not up for that again this year. 


Projects 

  • Wrist warmers - I have two pairs but I want a few more, plus they're GREAT for generic cold-weather presents
  • Mom, Sarah, Tallest Kat, Bea - all still in the works, though they're all taking shape


Notes
This will be a "stress test" of the new kitten, Odo, in our lives. I haven't done anything like an all-nighter around him, yet - but I do know where he goes when he's DONE with any given party. This will probably be good for all of us. Charles may be home this time - not sure yet, but it's a weekend.  




Day job reference
Ed-Curr all settled in to our new building. The only thing still new-feeling about this place is getting the kinks worked out of social gatherings. The gatherings themselves are increasingly social, multifacted, and engaging. 

Winter Solstice, 2018

This year is planned to be a little different - friends have floated the idea of having a wine-drunk movie night.

Projects 
Something I can carry to the Miller House without too much angst. Might pack a suitcase like I did for the Bar Night, after Search and Rescue.

*Scheepjes Ubuntu for Mom
*Scheepjes Ubuntu for Sarah
*Scheepjes Sophie for Bea
*Monmouth caps for Crown Tourney


Notes
I'm hyping this up more than they're expecting, or necessarily ready for. But dammit, it's one of my favorite traditions for myself.

Wines - Poinsettias and Mimosas?

After the fact, I can say: we spent more time with the Great British Baking Show in the background than much else. But we did watch The King's Speech and at least one other movie.

Day job reference
Ed-Curr second winter in the new building. DH's first winter in the Enid job.

Today, our newest Editor (Amy) told Holly and me about the Solstice observations at Mounds, OK. Maybe I'll do that next year - that's Just the Thing.
LINK: http://www.okhistory.org/calendar/event/winter-solstice/

Winter Solstice, 2017

Projects

Jimmy Bean Wool Craftvent Calendar, with the final product intended for the Hieber Family gift swap.

Completed the "house coat" using homespun yarn. Frogged it again pretty quickly after, but that's not the point. Its final form is the Expression Fiber Arts West King Shawl, completely out of gauge.

Background Company 

  • Dawson's Creek
  • Will and Grace
  • (little bits of 90210 and Parks and Rec)

Notes

The Craftvent Calendar included a tea packet on one of the days I was working through. Perfect.

At some point, Brisaac stayed on our couch, and needed a ride to the City in the morning.  DH did the honors, while I stayed home with a snuggly cat.

The rest of my notes for this iteration are too personal or intense for this forum.

Day job reference
Ed-Curr first winter in the new building, having moved in over Gulf Wars in March. DH at GWS.

Winter Solstice, 2016

Day job reference 
Last winter for Ed-Curr in the FST building. New building was all but done, but not yet fully permitted. DH at GWS.


Winter Solstice, 2015

Day job reference
Ed-Curr at FST building. DH at the City.


Winter Solstice, 2014

I think this is the year I misread the calendar and observed a day late. 

Day job reference

Ed-Curr at FST building. DH at the City.


Winter Solstice, 2013

All through the Winter Solstice 2013 (when I watched vigil on the longest night), all through Christmas break and all the preceding for-Christmas knitting marathons - I've wanted to make slippers against my cold wood floors. Just finally got around to it yesterday, after spending a few hours reading other designers' patterns. 

I came up with Cold Afternoon Slippers, also on this blog [linked, eventually]. The pattern is overthought and not terribly elegant, but it spoke to me where I was at that time. 

I don't remember if this was my first observance. It was close to the first, if not officially it.

Day job reference
Ed-Curr at FST building. DH at FSB, I think-?

Monday, May 21, 2018

Project Focus: Homespun Knock-Down

This One Time, at Spin Camp

To jump to the punch line: I've been spinning yarn (drop spindle; wool, silk, cat hair) in drips and drabs for a few years now, and have accumulated decent yardage of 2-ply yarns. Some bits of yarn have gone on to permanent existence in weaving projects, and some are waiting patiently for me to get around to their One Thing.

Other bits of yarn were just novelty purchases that never told me what they wanted to be when they grew up. It was fine when spinning was my focus in its own right - I had an overall yardage goal based on weaving, and anyway, hoarding "fresh" yarn is pretty rad! But then I started having other ideas for my time, and now I need to find space for the next round of projects.

I'm stuck in this corner:
If I talk about how I don't particularly love this yarn that I spun, I get lots of offers to take it from me. I've been that person, and I don't trust past-me to actually use the yarn in a way that current-me would appreciate.

And: I know for-sure that not-me-at-all will not appreciate my homespun yarn the way current-me does, warts and all. For example, at one point, I seriously got teary-eyed over this yarn's potential, like it was a kid growing up. Ludicrous, but it's my ludicrous. Call it "personal investment."

When yarns have been clear with me about what they want to be, the whole work is a joy, even when we disagree about a particular nuance of technique.

In the meanwhile, this yarn didn't know its own mind. When I started pushing the issue, it pushed back. "Bad as a kid," as my mom would say about any little thing (including the cats) pitching a fit about not getting its own way - especially when it doesn't want to clarify what it DOES want. Oy.

This yarn collection spans traditional gauges from superfine lace to super bulky, and I want it ALL to leave yarn storage and move into fabric storage. My summer "spring cleaning" plans this year include reimagining my living room blanket storage. I want more blankets/shawls for my living room - it's drafty in the fall/winter/spring ie knitting season, and if I can find them reliably, I can also grab them for events, etc.

In the meanwhile, I started being more consistent in taking photos of my projects on January 14, 2018, as part of an arts and sciences challenge you're welcome to join, with no commitment: 100 Days of A&S - take/post photos of your arts/sciences every day. It's surprisingly difficult!

One of the complications in finding 100 things to photograph over as many (or maybe more) days is making visible progress in anything. That's especially tricky when I keep ripping things apart! Midway through this exact project, my sister mentioned that she liked seeing all the iterations - my tenacity in trying to get it "right" and the variations I've explored. And it occurred to me that I have a blog already set-up that I could use to collect those thoughts. So. Here we are.

Round 1: House Coat. FIGHT!

Theory #1: Looong Jacket
2016 - January 2017

"This one time," I surveyed my holdings and discovered plenteous yarns I loved, but that were without purpose. And I wanted them to reach their full potential.

Or maybe more truthfully, I wanted more space to buy or make yarn a la the model: Use it Up, Wear it Out, Make Do, or Do Without.

I routinely disallow myself to buy yarn when I've got a backlog I don't know how to use. A few years prior, I used momentum from a similar review to purge all the "weird" yarn from my house. I ended up evicting 10 full tall kitchen trash bags. Yeah, not kidding.

Mission:Use Up the Yarn. Challenge Accepted!

I considered making a huge drapey coat, in garterlac. That would use up lots of yarn in a way that was functional and so pretty. I started, using only what I knew in my head. I had a nice entrelac pattern from my sister: Criminy Jicket's Garterlac Dishcloth. And I've successfully knitted a sweater (I like the shaping quite a bit, but I don't love how I did the color-work, so I rarely wear it). And I do some clothing-sewing, so I understand how garments come together (in theory).

But, the more I worked on this stash-busting project, the more we fought, the yarn and I. First, it made me decide whether I wanted to use my homespun yarn, or if I wanted a more uniform texture. Grudgingly, I settled on using store-bought yarn. Even then, it didn't want to conform to my expectations of being a jacket - it wanted to be a flat blanket, possibly for taking a luxurious nap on the couch. And then it wanted to have opinions about every color change. It did let me talk it into accepting one white strand of acrylic with a silver metallic thread spun in. Self-contained, non-shedding glitter.

Look how pretty that is!! It's long and narrow and squishy - oh yes, and drapey. And it used up a significant pile of yarns. We get along so well, since January 2017 - now that it's all done and functional and unique, and even visually striking.

Garterlac blanket, mostly using Hobby Lobby's "I Love this Wool," from back when that yarn was actually 100% wool. 

And then it was summertime in Oklahoma, when it's too hot to live, and when it's really hard to imagine wanting to touch things that make you feel WARM. It's not unheard-of for temperatures to reach 110 degrees Fahrenheit in high summer. Ew.

And then fall again: the crisp bite in the air that says that textiles could be lovely and decadent - even the wool ones.

Theory #2: COAT!!!1!1!
Fall 2017

This time, when I evaluated my remaining use-up yarn, most of the collection was yarn I'd spun. And I still wanted a jacket-type something that would hold itself in place regardless if I hopped up to switch laundry, or whatevs. And I thought I'd learned lessons from the blanket, on how my next try could be a coat. And I ran with it.


Maia claims all warm and well-trafficked areas as her own, regardless of season. I'm pretty sure this is the only actual photo I have of that house coat. 

Notes so You can Imagine the Shaping

I started with a longtail cast-on, measured to span my shoulders across my back, amounting to 7 squares of 8 stitches each, in super-bulky. I consciously started with the thickest yarn I had - both because I had the smallest amount of yardage in that weight, and because I wanted the structural stability at that load-bearing point. (Seemed reasonable at the time.) I worked the back panel for a decent span, being careful to reserve yarn so the front could match the back.

Cat feets!! And, starting this thing again.

From there, I picked up stitches along the cast-on, and added two 2-square front panels, with a gap for the neckline. I don't remember if I included a bit of stockinette before adding those panels - I remember having a little bit of neckline shaping, but I'm blanking on how that worked.

After an entrelac row or two, I added the other three panels to the front, so the two panels would meet - off-set from front-center because of the odd number of squares.

When all three panels were long enough, I joined the sides to the back panel, leaving arm holes. Then I knitted this many-stitch section as a single panel. It was bulky and awkward, but it went much more quickly since the finagling was over. Well, and not too bulky, since I was all out of the heavier yarns.

After the first few times I wore the coat, I picked up stitches in the arm holes and added shaping to make them a little less drafty. At that point, the only yarn I still had on hand in good quantities was my favorite of my first home-dyeing experiments: a deep raspberry color, in fine-weight plied Merino.

Then, I added front button plackets in the way I'd buttoned up the front of my rainbow shawl, a few years ago.

I don't have photos of that front closure, but look how pretty this shawl is! It uses the shaping and one motif from the Lafitte Shawl from Lost City Knits.

On a Disreputable Sunday in April 2014, I blew off four separate responsibilities and made something fun for my-own-self. Yarn is Hometown USA acrylic, super-bulky (I buy this yarn for Monmouth Caps). 

The new house coat was ham-handed compared to this, of course. But it was functional: it stayed in place, and was less bulky than a shawl or blanket, and kept me from catching cold during my (occasional) sedentary days in winter.  

Conflict:
Using any length of my Raspberry Merino on this project was an uneasy compromise: I wouldn't have to cut short lengths here, unlike in a longtail cast-on that I kept rethinking. But I _did_ have to cut it after the arm hole shaping was "good enough." Gulp. When I added shaping to the arm holes, I never wove in the loose ends, and they snagged and unraveled a smidge. It was never pretty.

In the meanwhile, I brought the house coat to show my Mom over Thanksgiving 2017 weekend - seven of us (three sisters, two* brothers, Mom, a family friend) hunted Black Friday sales at quilt shops. I didn't have anything specific in mind, but I wanted a little piece of fabric to line the neck to make it less itchy. I found a piece of flannel, and put it someplace "safe" in my yarn corner where I've been able to ignore it ever since. *missing a brother for extenuating circumstances

On that shopping excursion, my sister dubbed it the Hair Shirt - "Let me get this straight, you took yarn you hated and made yourself something ugly and uncomfortable to wear all the time." In the immortal words of Peter Faulk: Yes, you're very smart. Shut up.

And then seasons shifted toward spring again, and I wanted to start a new project. I still had a decent length of raspberry Merino available, and my husband was starting to sound envious of my lighter-weight long wool socks, also made with fine-gauge homespun wool. So I started those, despite anticipating that I would need more yarn. But! I didn't want to cannibalize the coat if I wanted to keep it for any length of time. But, why would I keep a coat I was unwilling to photograph? Oy.

Reset:  
I wore the house coat though the end of my winter knitting season. I wasn't willing to lose the warmth before then. But then Gulf Wars was coming. On a day that felt auspicious, I frogged this iteration and documented it as a part of the 100 Days of A&S challenge: Day 39, March 3, 2018.

Maia, guarding the yarn hoard, as is her right and duty.

Round 2: Cardigan. FIGHT!
Early March 2018

Looking at discrete balls of yarn all over again, I started to think in terms of showcasing the individual fibers. I've got some cool stuff here!

I found a cardigan pattern that had ribbing, then entrelac at the base, and then stockinette for actual shaping at the torso. Let's do it!

Pattern Rows and Fibers, starting at bottom hem: 
  • Plain ribbing - white MAC wool, black sheep from a coworker's family farm, Fluffy Goat from Belgutai, raspberry Merino 
  • Entrelac -  modern-dyed mixed-brown, alternating squares with one row of color: green is cheviot; MAC white in a finer ply; blue-pink on the needles is also from the MAC. 
Bottom hem of a new "Cardigan." I started with the same number of stitches as I had in the house coat, but this time constructed from the bottom, up. 
  • Ribbing at waist line - "hotchpot" spinning (re-spins from pencil rovings, roving yarns, first-round spinning projects), red/white MAC wool
Waist line of the "Cardigan," with ribbing inspired by two of the ribbing panels on the Eleanor of Toledo stockings (because I had it in my muscle memory and wanted something prettier than the bottom hem).

Conflict: 
I undermined this project before I even started. It wanted me to make three panels and then sew them together. I thought that sounded like "effort," so I cast-on the number I needed for the bottom hem, and ran with it.

After the waist-line ribbing, I was going to have to figure out where I needed to bind-off stitches to get back in line with the pattern. That would have been easy enough, but I kept putting it off. And then one day, I found (or maybe made up) an excuse, and assertively frogged the poor thing to put it out of its misery - while happily partaking of a Yuengling imported from Mississippi. 

Reset: 
And in this moment, it occurred to me that I've recently "discovered" light shawls. Shawls are so pretty, and they're ubiquitous on the "now what??" recommendations for knitters looking to expand skills past knit/purl design.

My rainbow shawl was a present from me to me. I even have a photo of me wearing it in public! It was my yarn-corner warmth for a few years. But it was bulky and not-subtle. See previous about complicated feelings toward homespun yarn - I'm not getting rid of it, but it's not my end-all. It's fine resting in the blanket storage for a little while. (Like how a parent will rotate toys for little kids - sometimes a project needs to "go away" for some time, and then it can be new and exciting again later.)

I made the rainbow shawl after a disastrous attempt to complete the Lafitte Shawl on lace-weight wool, complete with recommended beading. (Yeah, I picked something with beading and complicated charts as my first lace shawl _and_ first beading project. Fight me.) It was a beautiful mess - it was a clear fail because didn't lay out flat at all. But! It caught and threw light so amazingly. So Texture! Much Wow! I have no idea how I so brutally mangled that darling. Maybe I'll revisit it again someday.

More recently, I have started to consciously carry a lace-weight shawl when I'm not sure what the weather will be, but I anticipate a chill (ie not summertime). I wore it as a scarf at Crown Tourney in January 2018 and Gulf Wars in March 2018 (I have a photo somewhere from Pyro/ Caelin). And lately, it rests near my yarn corner, where it has been grabbed for this exact purpose a few times, now, too.

I don't have a photo of it by itself (yet), but here are its specs: Seth Shawl pattern, lace-weight alpaca from M. Xene (I might still have the tag somewhere - I try to keep them until I record the info somewhere re-findable,but I'm still hit-or-miss about both of those things).

Anyway: So. If I make a shawl/ infinity scarf, I _could_ plausibly use it in real life, based on real-time past behavior. Alright, that's a decent bet.

Round 3: Scarf/ Loop/ Whatever. FIGHT!!1!!

Theory #1: Flat Scarf 
Late March 2018

With the yarn all disintegrated from fabric again, I considered dividing the really heavy yarns from the really light yarns. Maybe make two scarves-?. That thought didn't last very long - I have bulk in the thick yarn, but not much yardage. So, I went up a needle size (5mm to 6mm), and jumped back in. 


Oohhhh, man, that's pretty. Isn't that pretty?!

Conflict: 
So Many Conflicts!!

I figured I'd work the squares in stockinette (and the triangles in garter). But, stockinette by itself is boooring! But, what pattern for the lace? I improvised one design and liked it well enough, but I didn't like it repeated exactly on the next row.

In the meanwhile, I'd started the Nakia shawl, which starts with a Provisional Cast-on. If I did that, I wouldn't have to play "yarn chicken" and risk having leftover yarns. If it came down to it, I could scrounge (or spin) more homespun for the graft if necessary. Great!

And finally, I had a color crisis: I didn't like the red/white in the same square as the brown/maroon. So, that row, i.e. more than 2/3 of the completed fabric here, was already "dead to me." 
Anyway, I didn't like the thought of picking-up stitches from a longtail cast-on pulled that taut. 

Reset: 
I think the width was okay (3 entrelac triangles at base, 24 sts). Maybe use a lighter yarn for the base triangles, so the heavier cast-on isn't overtaxed-? 


Theory #2: Infinity Scarf
Started: Early April 2018
Frogged: Late May 2018

Restarted with a Provisional cast-on. Alternated light-and-heavy strands in the entrelac rows - I did that last round, and liked it. And, from my experience on the blanket, I really liked the effect of changing one color every row to create a gradual color shift across the whole piece.

Ha. EUREKA! The cast-on row (green, acrylic) is over-taut, but that'll get fixed in post (hopefully, I'll have thick enough yarn at that point to do that smoothly).

Double garter entrelac rows alternating with lace (stockinette face) entrelac rows. The triangle rows and ends are all garter, for stability and simplicity. I'm "back burner" considering adding a crochet edge when this is all done, like I did on the blanket.

So far so good! (Famous last words.)

It occurs to me that I really want to map out the colors/fibers I'm using on this round, since I'm finally liking how this is working - and I still do want to track the unique yarns I have going on here. Text colors obvs don't strictly match the colors represented (but I did vaguely try to make it visually track). Rows, starting after the green cast-on, are:

Row 1:
  • White MAC wool (2-ply sport)
  • Home-dyed brown Merino (2-ply worsted)
Row 2:
  • White MAC wool (2-ply sport) 
  • Black sheep (2-ply sport) from a coworker's family farm; the black ran out at the end of the row and was supplemented with brown/pink MAC (4-ply sport)
Row 3:

  • Brown/pink MAC (4-ply sport) 
  • Pink re-spun Bernat (8-ply worsted) roving yarn (mostly wool; some other yarns in red/orange tones)
Row 4:

  • Pink re-spun Bernat (8-ply worsted)
  • White MAC (2-ply bulky/super bulky) 
Row 5:

  • White MAC (2-ply bulky/super bulky) 
  • Home-dyed brown Merino (2-ply worsted) I have a _ton_ of this yarn.
Row 6:
  • Home-dyed brown Merino (2-ply worsted) I have a _ton_ of this yarn.
  • Home-dyed denim-blue Merino, plied with white (8-ply sport) 
Row 7:
  • Home-dyed denim-blue Merino, plied with white Merino (8-ply sport) 
  • Wool of the Andes, "Firecracker" (2-ply super bulky)
Row 8:
  • Wool of the Andes, "Firecracker" (2-ply super bulky)
  • Home-dyed raspberry Merino, plied with home-dyed yellow Merino (8-ply sport)
After another two-ish hours of knitting, it's still panning out the way I need/want it to - yay!

Infinity shawl, covering the yarn I've set-aside for growing it, in the flat-bottom bag I've allotted for corralling all of it. This is the "RS" - the stockinette lacework is facing up. Maybe that'll be more apparent in later squares with better matched yarns. 

Conflict: 
I've been double-wrapping my yarn-overs for the lace squares. Someone with fancy credentials once wrote on a pattern that doing so makes for a bigger lace opening. I have never found that to be actually true - the extra slack does the opposite, in my experience. But, I ran with it for this iteration in case maybe the yarn gauge would make a difference. Yeah, no, you can barely see the lace holes. I'll see if there's a difference in the rows after the yellow/red I'm working on right now.

I've debated frogging this back, to correct that one point, but at the same time: I've already "killt" a few yarns in just this bit of knitting - and in at least three cases, the length that ended managed to do so at a convenient place in the pattern. So, frogging it now would disrespect that yarn's valiant closure. In the meanwhile, I have enough yardage in the finest yarns that I am able to hold plied yarns doubled and quadrupled where it needs to compete with my earlier spinning work with the heavier gauges.

Picking up on Row 7 because I frogged Row 8 after that last photo:

Row 7:
  • Home-dyed denim-blue Merino, plied with white Merino (8-ply sport) 
  • Wool of the Andes, "Firecracker" (2-ply super bulky)
Row 8 - new:
  • Wool of the Andes, "Firecracker" (2-ply super bulky)
  • White MAC wool (2-ply sport)
Row 9:
  • White MAC wool (2-ply sport) 
  • Yellow and Raspberry home-dyed Merino (4-ply fingering)
Row 10:
  • Yellow and Raspberry home-dyed Merino (4-ply fingering)
  • Green Cheviot (4-ply fingering)
Row 11:
  • Green Cheviot (4-ply fingering)
  • Purple/Blue MAC unknown fiber (oily) (4-ply fingering)
Row 12:
  • Purple/Blue MAC unknown fiber (oily) (4-ply fingering)
  • Pink re-spun Bernat (8-ply worsted) (4-ply fingering)
Row 13:
  • Pink re-spun Bernat (8-ply worsted) (4-ply fingering)
  • "Hotchpot" plied - whites and pastel tones respun from short bits (4-ply fingering)
Row 14:
  • "Hotchpot" plied - whites and pastel tones (4-ply fingering)
  • "Hotchpot" plied - dark tones respun from short bits (4-ply fingering)


Thick yarns are bunchy-looking: red and white square is the thickest. Thin squares are stretched all out: pink and purple, and squares on the needles, are the finest. 
And Then!!
I was starting to not be in love with this project. And then:

I found a cute pattern for a bottom-up tank-top, and it's super dorbs. And the lighter weight yarns (purple, red, yellow, green) would all be perfect for that.

And I have enough of my modern-dyed yarn to do something small-ish...

Updates as I come up with the next plan.


Next scheduled update will happen when one of the following is true:
  1. I frog this whole thing again, or 
  2. I get to another serious debate point, or 
  3. I get to another significant milestone in completion, or
  4. It's complete
So Say I: Elsa von Snackenberg. 05-21-2018.